Four categories of collaborative documentary
I’ve just been in Barcelona, at the ECREA (European Communication Research & Education Association) Digital Culture Workshop which looked at innovative practices and critical theories. It was a terrific gathering – small enough to get to know people, focussed enough to be productive – a great mix of conviviality and critical dialogue. (Thanks to the convenors, Caroline Basset and Elisenda Ardevol.)
I presented in the Creative Practices strand which was concerned with, “concepts of participation, co-creativity, co-design or co-innovation in creative processes involving audiences and independent creators in a wide spectrum of activities including art, photography, video, and videogames.” My paper offered a draft categorisation of the projects I write about here, according to the type of contribution made by the participants. I’ll give a brief summary of the four categories.
In “The Creative Crowd” model which covers work including Mad V’s The Message, and perry bard’s Man with a Movie Camera; the Global Remix, multiple participants contribute fragments to a highly templated whole, analogous to the separate panels within a quilt. The units of content may not make much sense on their own but value and meaning accrue as they come together producing a distinctive aesthetic that’s about energy and repetition. (Though not a documentary, The Johnny Cash Project is a prime example of this mode.)
(more at: COLLAB DOCS)
